SPARKS Vinilo y CD

Review: Ron and Russell Mael's 28th album as Sparks finds the eccentric, iconic sibling duo in typically fun and forthright form. Ironically titled MAD! - a label that has been used plenty of times to describe their self-contained sound world - the set sees them offer up frequently lightly satirical songs inspired by such subjects as branded packpacks (the gloriously silly 'JanSport Backpack'), performative devotion, toxic banter and online influencer culture - all soundtracked by the brothers' unique musical blend of fuzzy guitars, new wave synth-pop sounds, over-the-top operatic references and oddball electronic noises. Basically, it's a Sparks album - and an excellent one at that.

Review: Sparks' Propaganda, originally released on November 11, 1974, follows their breakthrough album Kimono My House and peaked at number nine on the UK charts in 1975. To celebrate its 50th anniversary, this limited edition reissue features Monty Coles' iconic artwork, pressed on stunning "maelstrom" blue vinyl. Propaganda showcases the band's unique blend of quirky, complex pop-rock, evident from the frenetic opener 'At Home, At Work, At Play' to the exhilarating 'Don't Leave Me Alone With Her', where Russell Mael delivers a rapid-fire melody that defies conventional pacing. The album features standout singles like 'Never Turn Your Back On Mother Earth' and 'Something For The Girl With Everything', along with deep cuts that highlight the Mael brothers' ability to transcend musical trends while maintaining their eccentricity. With its clever subversion of rock and pop norms, Propaganda remains a compelling listen, cementing Sparks' legacy as pioneers of avant-garde pop.

Review: Released in May 1974, this album marked a pivotal moment in Sparks' career, propelling them to commercial success with their defining sound, blending glam rock with experimental and electronic elements, aligning with contemporaries like Roxy Music and David Bowie. Produced by Mervyn "Muff" Winwood, the album's standout track 'This Town Ain't Big Enough For The Both Of Us' remains a defining moment in Sparks' legacy, with its soaring vocals and innovative production. Tracks like 'Amateur Hour' and 'Falling In Love With Myself Again' showcase the band's knack for crafting unforgettable pop moments, while 'Thank God It's Not Christmas' displays their forward-thinking sound that would influence bands decades later. The album's eclectic mix and striking originality cemented its place as a landmark in 70s pop, and its influence is still felt today.

Review: Sparks' Kimono My House, released in May 1974, was a significant milestone in the band's illustrious career, proving to be serving their commercial breakthrough. Hailed for its eclectic mix of glam rock and experimental pop, the album features standout tracks such as 'This Town Ain't Big Enough for the Both of Us', which reached number four on the UK singles chart. Produced by Mervyn "Muff" Winwood and recorded with a talented British ensemble, the album is a captivating blend of influences reminiscent of Roxy Music and David Bowie. Other dynamic songs like 'Hasta MaNana Monsieur' and 'In My Family' exemplify the band's playful versatility. The Mael brothers' eccentricity shines through Russell's distinctive vocals, creating a sound that remains fresh and innovative. Kimono My House presents a refreshing alternative to the music of its time, with its smart arrangements and catchy melodies offering an entertaining experience. Although it may not receive the mainstream recognition it deserves, this album stands as a testament to Sparks' artistry and their contribution to the 1970s music scene, proving that complex and engaging pop can thrive alongside more commercial offerings.

Review: Sparks followed up their breakthrough album with an even more audacious offering, one that continues to build on their unique sound. While many bands might try to replicate the success of a commercial hit, the Mael brothers remain defiantly themselves, crafting a collection of demented, sinister pop songs that are unmistakably their own. 'Never Turn Your Back On Mother Earth', 'Something For The Girl With Everything', and 'Achoo' showcase the band's ability to subvert expectations while maintaining their trademark quirkiness. Propaganda, which peaked at number nine on the UK album charts in 1975, is a fascinating example of a band unwilling to play by the rules, carving a distinct path in rock history.

Review: Sparks are, of course, Ron and Russell Mael, a hugely prolific family twosome who have put out some 20 albums. Lil' Beethoven was their 19th and one in which they managed to find some of their better earlier form right on the turn of the millennium. It came in 2002 and builds in some classical influences to their usual sound with the single 'Suburban Homeboy'. The pop/rock aesthetic defines many tunes as the band rekindle their interest in art. This is one of the many albums BMG are reissuing this year including Balls from 2000, Hello Young Lovers from 2006, Exotic Creatures of the Deep from 2008 and The Seduction of Ingmar Bergman from 2009.

Review: In celebration of its 45th anniversary, Paste Magazine's esteemed #1 synth-pop album, Sparks' No. 1 in Heaven, receives an exclusive double vinyl release this Record Store Day. This seminal work, produced by Giorgio Moroder, set an early standard for electronic music. Accompanying this masterpiece is Sparks' lesser-known gem, 'Is There More to Life Than Dancing?' produced for LA-based singer Noel in 1979. Together, these albums epitomise the Maels' innovative electronic spirit and visionary foresight into the next decade. Revered by bands like Joy Division and Duran Duran, No. 1 in Heaven was hailed as the greatest synth-pop album ever by Paste Magazine. The anniversary release comes on coloured vinyl and rightly commemorates Sparks' enduring creativity.