Review: Quem E Quem is widely regarded as Joao Donato's finest work and a standout in the canon of Brazilian popular music, aka MPB. Blending American soul and jazz-funk influences with the gentle sway of samba and bossa nova, the album radiates warmth and subtle sophistication and Donato's tender vocals are framed by breezy flute passages, laid-back piano lines and guitar solos reminiscent of Pat Metheny. The result is a beautifully balanced collection of upbeat tracks and introspective moments with each evoking the tranquil pleasure of a sunset in a tropical paradise. Timeless and effortlessly charming, it remains a high point in Donato's enduring career.
Review: Marisa Monte's influence remains unwavering, and her 2021 return with Portas reaffirmed her legendary status despite a decade-long hiatus. Her first album since O Que Voce Quer Saber de Verdade in 2011 effortlessly blends romantic pop with occasional forays into samba, as heard in 'Elegante Amanhecer.' Standout tracks include the wonderful 'Calma,' the beautifully arranged 'Espaconaves,' and the bright 'Sal.' 'Vagalumes' is a highlight, merging Spanish flamenco chords with Modernist Brazilian poetry. Monte's voice, soothing and natural, brings tranquility amid Brazil's ongoing challenges. Collaborators like Arnaldo Antunes, Nando Reis and newcomers like Silva contribute to the album's excellence. Monte's daughter Flor de Maria and samba-rock artist Seu Jorge join her on the hopeful 'Pra Melhorar.' Portas exudes grace, offering an almost escapist positivity. It's an album for both the pandemic era and a hopeful future, showcasing Monte's timeless appeal and elegant self-assurance.
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