Back catalogue: Progressive House

Review: Rebirth kicks off its 2024 with a remix EP that serves as "a tribute to the Brescian music scene in its many facets and declinations." The full original project is a complete 12-track album that brings together many different sounds, scenes and generations, with the best bits now assembled on this new 12". The revered deep house master Fred P opens up with some texture spiritual synth depths, K-Lone brings some nice house swing to his version of 'Paline' and edit maestro Rahsaan also keeps it paired back and late night on his soulful take on 'Scent Of An Old Life'. A great reimagining of some moving musical adventures, then.

Review: The Belgian label Higher Hopes is run by DC Salas who now returns to it with a new EP with the collaborative Los NiNos Del Parque project alongside Anthony Barbarich aka Mirror Minds. They say it is a release that has been 15 years in the making and has roots in their shared love of 2000s electroclash, plus new wave and new beat. They set out to make something inspired by that and have done so over the last four years with a mix of rugged and mechanical rhythms and angular synth lines. A fine remix by the assured Badaboum and Rinse France resident Belaria rounds out the package.

Review: Paddy Lee's PICNIC 009 on Picnic UK delivers a stellar showcase of progressive house infused with trance, synth wave, and disco elements. On Side-1, 'Drive By' stands out with its terrific laser gun bassline and melodic breaks, maintaining a high-class trance vibe reminiscent of Oliver Lieb's work as L.S.G. Side-2 begins with 'Zero Control,' a bassline-driven mainstage anthem that echoes the grandeur of Funk D'Void's Heavenly Mix of 'Diabla,' packing a powerful punch. 'The Goodbye' concludes the release with a futuristic take on progressive house, blending trance, techno, and EBM influences into a cohesive and sophisticated sound. Paddy Lee demonstrates a masterful command of genre-blending and production prowess on PICNIC 009, making it an essential addition to any progressive house enthusiast's collection. Picnic UK continues to deliver quality releases that push the boundaries of electronic music.

Review: Having previously taken on trips to imaginary 'Lost Moons' and the 'Island of Being', Yaroslav Lensyak is now our tour guide through Trippy Land - an aural, club-ready soundscape that combines his love of undulating acid lines and glitchy tech-house beats with sun-splashed melodic motifs, enveloping pads and off-kilter basslines. The sonic sightseeing begins with the gorgeous-but-weighty 'Yupi', before taking in panoramic views and shuffling breakbeats on the alternately picturesque, raw and sleazy 'Flicker'. Title track 'Trippy Land' boasts motorik bleeps, jagged analogue bass and sharp TB-303 tweaks, while the excursion-ending 'Sirius' is a deep, low-slung, early morning jog that's as rhythmically driving as it is sonically mind-altering.

Review: Here we are introducing new label Art of Dark and its AODVA Series, a platform showcasing a diverse array of artists, especially those who are newcomers to the music scene. For its inaugural release, the series spotlights four different artists with their own distinctive sound and who are all set to go on to big things, at least if you ask us of the evidence of this. Log_In kicks off with 'Antivirus' which spins you out on nice cosmic tech vibes and screwy alien synth lines, while Landed's 'Anaesthetic' is a retro-future tech house pumper with neon lines and a tight bassline. Matthew Hartshorn's 'Computers' gets as digital as you would expect from the name with the sound of malfunctioning motherboards over sleek beats. Jamie Dodger shuts down with the more edgy percussion and rapped vocal sleaze of 'Yes Yes Release The Stress'.

Review: Anacalypto Records' second release revives a gem from the Dutch electronic scene. Originally released in 1998 by Luc Wacherlin, aka Luca, on Orlando Voorn's Slamdunk Records, this four-track EP represents one of the label's final releases. Described in its press release as "beautiful, elongated, shimmering, Detroit-style trancers for the morning after the night before," it delivers on that promise. The tracks blend Detroit's vibrant techno with Sheffield's deeper sounds. From the liquid synths of the title track to the hypnotic grooves of 'Indian Summer,' the EP's immersive warmth and intricate compositions capture the essence of '90s techno, restored for a modern audience.

Review: Fresh from blurring the boundaries between electronic disco and quirky disco-house via EPs on Nocturne and Public Possession (the latter alongside Wolfram), Josh Ludlow brings his trademark sound to Toy Tonics for the first time. Style wise, both A-side tracks doff a cap to Italo-disco and the hard-to-pigeonhole dancefloor psychedelia of Maurice Fulton's Syclops project, with throbbing opener 'New Transition (extended 12" mix)' being followed by the heady nu-disco squelch of 'Bumper Thumper (12" club dub)'. The latter track is given a makeover by Medlar on the flip, with the Wolf Music regular re-imagining it as a bumping, sweat-soaked house jam topped off with disco guitar licks and ghostly lead lines. Also worth checking is B1 'D.G.A.F', a funky, punky house jam smothered in intergalactic synth sounds.

Review: The debut album from Ukrainian collective Noneside unites musicians and visual artists under the inspiring words of poet Taras Shevchenko, who said 'Make love, o dark-browed ones.' Framed by a painting from contemporary artist Iryna Maksymova, the music explores the trance and tech house that is destined to bring souls together on the dancefloor this summer and beyond. Shjva opens with fresh and mashed bass and sleek trance pads that are subtle but effective. Lostlojic layer sup deep, bubbly techno drums and bass with an angelic vocal tone and Saturated Color's 'Trancia' is a speedy, scuffed-up tech groove for late-night cruising. Peshka and Yevhenii Loi offer two more future-facing trance-techno fusions packed with feels.

Review: After a three-year break, Swedish producer and DJ La Fleur is back with 'Vasen', her long-awaited debut album. The pandemic led her to pause her music career as she returned to Sweden from Berlin, putting her Pharmaceutical Science degree to work in Stockholm's hospitals. This significant life shift followed a decade of running her Power Plant label and accomplishments like being named Mixmag's breakthrough artist, releasing an Essential Mix, and performing at major festivals like Creamfields and Awakenings. During this hiatus, La Fleur reflected on her artistic direction through her challenging time. Originally planning to release her debut in 2020, she instead waited until the timing felt right. 'Vasen' is a sleek, emotionally resonant exploration of house and techno, a collection born from both personal and musical growth that finally feels ready for the world to experience.