Tags: Turkish

Review: The latest niche disco compilation to froth forth from Germany's Seismographic label is a self-described 'mysterious record', intending to both hide and show something at the same time. Indeed, we know the feeling, since when it comes to dubious emotions such as ennui and bittersweetness - both common to pop and disco - it takes a skilled artistic, productive and curative effort to pin down both emotions (unskilled hands would liken the art to catching eels in a barrel). Made up entirely of two records that were 'most probably' released in the mid-1970s on Turkish Roma, Disco Dances From Turkey does exactly what it says on the verso. Psychedelic motifs, hard-hitting drums, Arabesk percussion, and hip-hop friendly breaks all collide to produce a careful combo in nine takes, delving into the heart of Romano-Turkish pop music from the 70s.

Review: Kit Sebastian's upcoming album, New Internationale, set for release via Brainfeeder, marks a major step forward for the duo of Kit Martin and Merve Erdem. The lead single, 'Metropolis', blends Azerbaijani musical influences with Western funk grooves, using vintage synths and intricate choral textures. The track's samba-driven finale, complete with dual drum kits and processed horns and strings, creates a layered, cinematic soundscape. Lyrically, "Metropolis" explores the immigrant experience, delving into themes of identity, belonging, and artistic compromise in an unfamiliar world. Written while on tour, New Internationale features a rich tapestry of global instrumentsifrom Turkish clarinet to zither and harpsichordiwoven into a seamless mix of Anatolian psych, French pop, and Tropicalia. The album reflects Merve's personal journey navigating her Turkish heritage and Kit's eclectic musical influences, culminating in their most orchestrated work yet. It's a vivid exploration of multicultural identity, using lush, borderless soundscapes that bridge genres and histories, while pushing the boundaries of modern psychedelia and global fusion.

Review: Altin Gun has a famously recognisable sound and it is once again laid bare heart for all to enjoy. This new album is a triumphant return for the much-loved sextet from Amsterdam and one that is high on energy levels throughout. Though familiar in that way, this Ask album finds the band ditching some of their synth-drenched former sounds and 80s and 90s pop leanings to return to their 70s Anatolian funk of their roots. It almost sounds like a live album such is the hustle and bustle of the music with the results sounding all the more warm and welcoming.

Review: Berlin-based Turkish singer and multi-instrumentalist Derya Yildirim fronts Grup Simsek - a psych-pop delight which channels the unmistakable lilt of Anatolian musical tradition. After releasing the first instalment last year, the band return to deliver the second half of their double album DOST. In the interim since that first half dropped they've recorded a BBC Radio 6 Music session, been featured all over the place and played internationally. The release of DOST 2 should cement their ascendance in a swirl of 70s informed funk driven by Yildirim's enchanting vocals and the fluid grooves of her backing band.

Review: We are extremely thankful of the existence of Altin Gun, a Dutch band who focus their efforts on playing Turkish folk/psychedelic rock. Three albums so far have served to establish their sprawling sound. Their latest, Ask, does particularly well to chuck additional funk and disco edges into the mix - but contemporaneously comes On, a reissue of their debut LP released in 2018. In reissuing it, French label Le Vinyl Club document the band's eureka moment and subsequent splash onto the scene that eventually won them a Grammy. Beautiful cuts such as 'Goca Dunya' hear well-polished takes on trad Turkish folk, but with an added energy and verve brought to the fore by not only an electrifying backing band, but a whopping two vocalists, Merve Dasdemir and Erdinc Ecevit Yildiz.

Review: Tel Aviv funk six piece Satellites are back in orbit, boldly moving the psychedelic folk-meets-groove sound they established on their eponymous debut forward on Lp number two. Drawing from the Turkish psychedelic wave of the 60s and 70s, their first record earned international acclaim, with support from BBC Radio 6 Music and FIP, as well as live sets on Gilles Peterson's Worldwide FM and KEXP. After two years of touring, the band entered the studio with a renewed sense of purpose and a tighter musical bond. The album opener, 'Tisladi Mehmet Emmi,' transforms a traditional Turkuler into a modern psychedelic funk masterpiece, blending saz, synths, basslines, and dramatic drumming, with Rotem's husky vocals narrating timeless themes of lament. 'Midnight Sweat' reveals a sultry side, with a late-night lullaby over a slinky disco-rock groove, while 'Hot Jazz' dives into cinematic territory, showcasing their jazz and funk chops. 'Gizli Ajan' and 'Yok Yok' surprise with genre-bending jams, while 'Ikmiz Bir Fideniz' becomes a cosmic folk-funk rendition. The album closes with a dynamic duo, from the cosmic disco-fuzz of 'Zuluf Dokulmus Yuze' to the dramatic finale of 'Zuluf B (Reprised).' Where their debut set the tone, this release marks their full transformation, confidently stepping out of the shadows of their Anatolian psych heroes to create a modern yet timeless record.

Review: BaBa ZuLa, Istanbul's most experimental band, continues to push the boundaries of Turkish psych-rock. Known for their hypnotic blend of Turkish percussion, electric saz, and electronic elements, they've gained a cult following across the globe. With influences from legends like Einsturzende Neubauten and Can, their latest album Istanbul Sokaklari is a sonic and political statement. Combining deep rhythms, glitchy electronics and dual male-female vocals, BaBa ZuLa's music transports listeners into a world where tradition meets modernity, offering a glimpse into both the future and the heart of Istanbul's streets.

Review: The intriguingly named Humus Per Tutti label has made us wait well over two years for a seance EP after the tantalising first volume of this self-titled series. It comes from a section of artists who are all editing some worldly source material. First off is a Jean Kefta edit that locks you in a guitar loop while intoxicating vocals up top bring the charm. The Babach Flangerman mix of the A1 is another loopy disco cut with a Middle Eastern flavour and the comes Jean Kefta & Max Houmous's snake charming and psychedelic disco groover 'Muharaqa'.
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Review: Last year, Amsterdam-based Turkish band Altin Gun delivered one of the most potent - and arguably overlooked - debut albums of the year, "On". 12 months on they return with album number two, "Gece", an inspired fusion of heavyweight Turkish psychedelia, funk, freak-folk and intergalactic rock. While the songs and recordings are brand new, the band's choice of instrumentation - vintage Moog synths, gnarled funk-rock guitars, skittish drums and fuzzy bass guitar - and 1960s style production gives the whole thing a deliciously retro feel. It's a recipe that guarantees thrills and spills, with "Yolcu", "Sofor Bey", "Derdimi Dokersem" and spacey "Gesi Baglari" among the many highlights.

Review: Satellites' self-titled 2020 debut album won plenty of plaudits, with critics the world over hailing the Tel Aviv-based band's blend of vintage, Turkish style psychedelic folk-rock and dancefloor adjacent grooves indebted to funk, soul and disco. Aylar, the six-piece's belated sequel, continues in this vein, with the band arguably being bolder with their musical choices. For proof, check the cosmic strut of opener 'Tisaldi Mehmet Elmi', a psych-funk transformation of a traditional Turkish folk song, the low-slung grooves and sweet retro-organ melodies of 'Midnight Sweat', the gritty, thrusting and hallucinatory 'Yok Yok' and the future dancefloor anthem that is psychedelic Turkish disco gem 'Zuluf Dokolmus Yuze'.

Review: The Mocambo label introduces Turkish artist Peki Momes who began recording music by chance in 2023. Despite no formal music training, she brings a fresh, authentic approach to groove music based largely on intuition. Her first two tracks reflect her versatility and feature here - 'Goc Mevisimi' combines Japanese City Pop with tropical boogie to create a global underground vibe with dirty disco grooves, jazzy flute and Turkish lyrics. 'Ruya' then delivers a gritty psychedelic Anatolian sound with fuzzy guitars and hypnotic energy. Momes is working on a debut album, we hear, and we can't wait.

Review: The Brazil 45 series from Mr Bongo bursts through the picture with yet another rocking 7" fire starter by two vintage pop greats - we have to say, their format simply works. First up is Elis Regina, a Brazilian singer who released a countless pop records back in the '60s, and "Ye Me Le" is a soft, seductive Brazilian soul warmer complete with blasting trumpets and that inimitable South American percussion swagger. Turkey's Senay features on the flip with "En Buyuk Sansin Yasiyor Olman", an incandescent lover's ballad that makes a welcome change to the more widely heard Turkish psych sound of the '70s.